#help with dissertation

[ukdissertationhelper]

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[my-darling-boy]

Talking to a guy who’s a nurse studying his masters degree and he’s just asked what I do and I KNOW design and illustration are very professional sectors which hold an important role in society but every time someone says they’re like a doctor or an engineer and they ask what I’m doing I just feel like

[fatehbaz]

weekly navel-gazing update: this week is most consequential event in long time. keyword search: "scared" "is it ok to be scared" "beaten and tortured by the ogre"

[in-tua-deep]

Researchers from the University of Indianapolis are investigating the experiences of queer individuals and their usage of social media, specifically the ways in which people use social media to facilitate identity development. If you are an adult (18 years or older) who are questioning their gender or sexual identity or who identify with a gender or sexuality that is non-cisgender or non-heterosexual, you are invited to take our survey! You can skip questions or exit the survey at any point, and it won’t cost you anything besides your time. There are no direct benefits to you, but your participation will help up is our research. In appreciation, you will be given the option to enter a drawing for one of four $20 Amazon gift cards. Participation is voluntary, and all responses will be kept confidential. If you choose to enter the drawing for a gift card, your email will be separated from your responses and will not be used for any other purpose.

If you are interested in participating, please follow the link to complete the survey.

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This research project has been approved by the University of Indianapolis Institutional Review Board (IRB). Approval date 09/27/2024; Approval number 02118.

[motions1ckn3ss]

exr quotes in victor hugo's handwriting

i've been scouring the original manuscript of les mis in order to find these and i'm sharing screenshots here along with the links to the specific pages because i've just been losing my mind trying to find them all and i need to store them somewhere for research purposes

'you do not believe in anything.'

'i believe in you.'

'be serious.'

'i am wild.'

'be easy.'

'do you permit it?'

[weevilsdaily]

weevil 378

[thefirstknife]

I can’t help but feel like savathuns about to go down a familiar road as we did, but won’t get the same ending. Shes emotional, angry, had the sibling she had a chance to save ripped from her hands. She’s going to want revenge, and I think it might be the last thing she seeks.

she’s already made it clear she wants that, she’s already scheming again. But her brood is her own, cunning, wise, smart enough to know when to jump ship. Luzaku already dipped, she knew staying by sav’s side wasn’t worth it. And when the rest wise up? See their leader is sending them to die for some “revenge” for a dead family member they don’t know? Seeing her let her emotions take reign and send them into a battle they otherwise wouldn’t want? I wouldn’t be surprised if there was a call for new leadership.

would she die from this? I doubt it. She no doubt has plans for betrayal, I wouldn’t put it past her. However, shed no doubly be left without an alley at her side. I think it’d be ironic, wouldn’t it? Savathun, the hive god who wanted to break away from the “game” as she called it, got what she wanted, to not be involved in the grand scheme of things. What did it cost her? Everything… the hive god who wanted to be just “left alone” gets exactly what she craves… not a single person at her side, and not a soul to care for her.

I personally don't think she wanted to save Oryx, especially not that version of him, which was pretty much set in his ways and not entirely true to the Oryx she knew. Especially after she tried to reason with him and offered him the Light and it angered him greatly. I think that really got to her and it was probably the most honest and real she ever was, but Oryx's rejection of it made her more jaded. It was a chance, but he refused it and it's not even the Oryx she knew: the Echo was just a twisted memory of him. But I think that what she's mostly angry with us about is that we destroyed a powerful artifact that she could've used for herself in whatever way she wanted to.

Savathun's feelings about her family are complicated and she definitely feels something for them, but it's always on some condition and the level of usefulness they have for her. Savathun loves her siblings and her family, but she loves herself the most. She did not care when we killed the actual Oryx, or any of his children, or any of her children, nor does she care about a daughter she left in a time loop to infinitely die over and over.

I also think that she will be left alone with nobody at her side and nobody to care for her. And I can't find it in me to feel sorry for her. She rejected every single option to be reached and to change and to do better. Her whole angry speech was entirely hollow to me. Her telling us that we crossed a line? Her calling us "the Traveler's pet"?

This is, btw, incredible for me narratively, Savathun is SUCH a good character, genuinely one of the best characters in the whole story. Her hypocrisy and manipulation and the ways she affected the universe are peak. But I think that at the end of the day, she can't keep getting away with it, so to speak. After all that in the finale, I am really hoping that one day she will be dealt with like everybody else who thrived on destruction, atrocities and suffering of others. Unless, of course, she decides she's had enough of that and finally embraces the second chance she got.

And all of this is what makes her probably the most compelling character in the whole franchise. I really do want to see unhinged Savathun from now on, and also how she'll deal with Xivu and how Xivu will deal with her.

[padthaifan]

Thinking about Jotaro as a PhD candidate… what classes did he TA? What did his students think of him? How many students did he mentor in lab… did he hate writing? Who was on his committee? Much to imagine…

[cosmichorrorlesbians]

what's your dissertation about? you mentioned it in the siltcord and i'm really interested

oh my god hey I'm so happy you're interested! broad strokes because I've only been working on it for a few weeks but: the current theme is 'resistant landscapes' (both man-made and natural) in the later writing of Shirley Jackson!

Essentially, my main thread is that Jackson had two parallel strands to her work, which as far as I can tell began kind of interrelated but then diverged quite significantly? She's probably best known now for The Haunting of Hill House and to a lesser extent We Have Always Lived In The Castle, which are these. weird surreal psychological horror novels, engaging explicitly or implicitly with the supernatural, and centred around introspective, strange and sometimes deeply misanthropic female characters from isolated social units with dysfunctional, possessive relationships to each other.

Aaaaand then on the other hand she was known for being a 'happy housewife' who wrote these whimsical, quasi-autobiographical stories about all her children and how hopeless her husband was. These were popular too. Betty Friedan called her out in landmark 1963 feminist manifesto The Feminine Mystique for essentially spreading patriarchal propaganda.

The interrelation between the two is really jarring, because in one family is a source of horror and tragedy and in the other it's a source of, like... laundry. And Jackson's home life wasn't everything those stories made it out to be-- her marriage was unfaithful, her mother could probably be fairly called emotionally abusive, and as I talked about on the siltcord, she developed severe agoraphobia which often left her housebound.

So, yeah. My plan is to explore the depiction of families as constructed social units in dialogue with the environments they are constructed in in that work. Obviously a lot of that is relation of house to family, in the context of which Hill House is especially rewarding to consider, but I also want to look at relationships with nature and urban environments (especially in the context of settler colonialism and how that has had an enduring legacy in Jackson's particular part of New England), xenophobia (largely in regard to class, though racism and anti-Semitism are presences in her writing), domesticity and the idea of the housewife, and how horror relates to All Of This. The ideal of making a home within a hostile environment and of that environment turning on you, essentially.

I don't yet have particular areas of focus within that broad umbrella, but I might update with bits and pieces about it as I work? I don't really talk about academic stuff on here but I am very much Critical Literary Analysis Guy and I do also post relentlessly about haunted houses as a concept so if people would be interested in it maybe I will

anyway if you've read this far I recommend Horror in Architecture: The Reanimated Edition (2024) by Joshua Comaroff and Ong Ker-Shing which is a book about how horror movie tropes can be mirrored in built environments! I'm reading it right now and it's conceptually fascinating plus fairlyyy comprehensible by academic standards (if a little dense) if you, like me, are a Fool who knows nothing of architecture. very good also for getting to look at pictures of some of the most Fucked Up Buildings (affectionate) you've ever seen.

[lovesodeepandwideandwell]

🏘️

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[polkadotzavala]

i think everyone is too attached to winnie hess as a joke concept (what if she was a really fucking buff bipedal vampire horse) and not as a character (woman who is so strained by the stress of having to be great unappreciatedly and watching powerlessly as the game churns and none of the skill she has in the game allows her to do anything about it)

[honeekyuu]

WISH WE COULD TURN BACK TIIIIIIIIIIIIIIIIME

TO THE GOOD OLD DAAAAAAAAAAAAAAAAAAAAAAAAAYS

[kirkwallguy]

I'd hate to sound pretentious or smth but I was watching a vid talking about media literacy when it comes to booktok and this idea with those girlies that thinking/engaging with something critically isn't fun and the only way to have fun is to turn off your brain... I don't think VG suffers from this as much as a lot of booktok shite but in comparison to the other games it rly does feel like you're not meant to be paying attention or thinking about your actions (cough not like you get to chose any of your actions COUGH), or the implications of anything? and I'm not trying to say VG fans are stupid or smth cause I think many Want something to think about, but I feel like I've seen a lot of people have to reach very far or just straight up make shit up to engage with the game? (Other games aren't perfect but I was immersed with the games enough to stop and think about how my choice will affect xyz, that didn't happen in VG) There's nothing to chew on in VG basically 😭

it's only pretentious if you don't mean it! but yeah i think there are a lot of parallels to be drawn here - i don't know how to say this without sounding like an annoying gamer bro, but now that gaming is more accessible, it feels like aaa companies do their best to cater to the widest possible demographic. market research probably shows that the majority of people don't want to be challenged or experience negative emotions, ask someone who plays games very casually whether they'd want to experience horrible consequences for picking evil actions in a game they'd probably say "um?? no? why would i want that?" but ask someone who plays a lot of rpgs and they'll probably at least understand the importance of those choices, even if they don't pick them personally. i don't think gaming is an old enough industry to have fully pinned down market research in the same way tv has - when you look at viewing figures, the most watched shows are soap operas and family sitcoms. that doesn't mean prestige tv doesn't have its place, it just means that the majority of people don't watch tv to experience the feelings shows like interview with the vampire want you to feel lol

dav doesn't actually ask any questions of the player. you're told what's wrong and what's right and not really asked to make any moral judgements. the bad guys that you kill are barely human so you don't feel bad about cutting them down (the antaam are dehumanised while the venatori are cartoon characters), the companion quests all end nicely no matter what choice you pick, the big act 1 choice is the closest you get to a negative consequence and it still feels very safe because you don't ever feel like you've done something wrong.

and yeah, it does feel like people writing analysis of vg are TRYING to chew on it, but so much of the enjoyment seems to be about coming up with your own fanon to play in a sandbox. which is fine. that's how i enjoy dai tbf. but it's sad to see after dao and da2, especially knowing how many other games there are that let you do this. SKYRIM is more complex than dav, and that's the game i always mention when talking about power fantasy sandboxes

the booktok stuff is kind of nuanced ofc, turn-your-brain-off rubbish has been available since the beginning of time and i feel like the real reason it's becoming more popular is self-publishing and people being more open about reading it on social media. i've written shitty 19th century porn and it was no better than whatever the mafia boss 50 shades ripoff writers are doing now. buuut also i think the way it spills out into other genres, and this increasing idea that fantasy/sci-fi should be about "escapism", is really fucking over people trying to get published while writing something complicated.

[yeonban]

Guy who was told to "apply for several internship places because the majority of students aren't accepted at the first option and we have no time to wait long before you have to do your internship report" and who, therefore, applied for two internship places; now has to do TWO internships at once because both places accepted him and he wants one of them for the CV perks & the other for the potential job he might gain from it postgrad. On top of attending his current classes and doing the tons of dissertation research + writing required for him to finish that damn paper in time for its defense

[motelhoneyy]

I FINISHED MY FINALS

IM FREEEEEE (for like 3/4 weeks BUT STILL FREE)